Effective on plastic gears, rubber parts, stops Sticking & repels moisture.
Silicone Lubricant Spray 400ml
Effective on plastic gears, rubber parts, stops Sticking & repels moisture.
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Making Movies by Sidney Lumet
From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
Filmmaking for Dummies by Bryan Michael Stoller
Film is a powerful medium. Successful filmmakers possess the passion to visually tell a story that will affect people's emotions, make them see things differently, help them discover new ideas, or just create an escape for them.
Whether you love the experience of being enthralled by movies or the excitement, challenge, and magic of making the movie yourself, Filmmaking For Dummies is your primer to creating a respectable product. For the seasoned professional, this friendly reference can inspire you with fresh ideas – before you embark on your next big flick. Get ready to roll with expert information on
- Defining the difference between independent and studio films
- Knowing what genre fits your fancy
- Finding perfect locations
- Storyboarding your film
- Directing the action
- Giving credit and titles
- Writing or finding a screenplay
- Raising financing for your film
- Budgeting and scheduling your film
- Hiring the right actors and crew
- Planning, shooting, and directing your film
- Putting your film together in the editing room
- Finding a distributor to get your film in from of an audience
- Entering (and maybe even winning) film festivals
In the Blink of an Eye by Walter Murch
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
