Avenger F810 Baby Plate with 5/8″ Swivel Spigot
Digital Juice Pro Flag Kit (24 x 36″)
The kit comes with five 3-sided collapsible 24 x 36" frames that expand and lock into place in seconds. 5 fabrics are included: black single net scrim, black double-net scrim, solid black block, one stop silk and 2 stop white silk. Each cuts the output of a light by a different percentage and offers a different look or function. A 6.0" solid black dot and a single net black dot are included, as well as a 4.0 x 14" solid black finger and a single net finger to shape the light when working with smaller subjects.
Altman Malleable Iron Pipe Clamp
Bessey Steel Spring Clamp (Orange, 1 & 14 x 1)
The Bessy 1 1/4 x 1" Steel Spring Clamp is a heavy-duty tool with a huge variety of uses around the shop or house. The clamp has a jaw capacity of 1" and is nickel-plated to prevent corrosion. The tips and handles are covered in orange vinyl to prevent marring of surfaces and to provide a firm grip.
Making Movies by Sidney Lumet
From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
Rebel Without a Crew by Robert Rodriguez
In Rebel Without a Crew, famed independent screenwriter and director Robert Rodriguez (Sin City, Sin City 2, Once Upon a Time in Mexico, Spy Kids) discloses all the unique strategies and original techniques he used to make his remarkable debut film, El Mariachi, on a shoestring budget. This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.
Shooting to Kill by Christine Vachon
Complete with behind-the-scenes diary entries from the set of Vachon's best-known films, Shooting to Kill offers all the satisfaction of an intimate memoir from the frontlines of independent filmmakers, from one of its most successful agent provocateurs and survivors. Hailed by the New York Times as the "godmother to the politically committed film" and by Interview as a true "auteur producer," Christine Vachon has made her name with such bold, controversial, and commercially successful films as "Poison," "Swoon," Kids," "Safe," "I Shot Andy Warhol," and "Velvet Goldmine."Over the last decade, she has become a driving force behind the most daring and strikingly original independent filmmakers-from Todd Haynes to Tom Kalin and Mary Harron and helped put them on the map.
